BIO

If art making is world making, my work reminds me that as we transform matter, we transform ourselves...

Narelle White embraces ceramic labour as a field of enquiry and engages her materials as wilful co-conspirators.

Invoking a playful and alluring blend of biomorphic and geologic references, her works gesture towards the co-constitutive nature of people, mythos and place.

Inspired by a lineage of women artists with distinctive material signatures, Narelle is alive to the feminist and ecological implications of rethinking our relationships with matter.

Narelle holds a BA, MA and BFA (Hons) - having studied in Australia, The Netherlands and the United States. Prior to creative practice, she worked as an educator and facilitator in various community settings, including roles in East Timor, Indonesia, Vanuatu, Vietnam and Australia.

 
My aim, through experimentation and material poetics, is to consider the ways we relate to matter and to those ecologies that sustain us.

My works propose an ethic of empathy and recognition, through the organic and animistic qualities of granular, porous and lively things.

Image: Annika Kafcaloudis, Courtesy Craft Victoria

education

Victorian College of the Arts, Honours in Fine Art

Royal Melbourne Institute of Technology, BA in Fine Art

Rhode Island School of Design, Study Period - Ceramics

Institute of Social Studies, The Hague, Master of Arts

University of Melbourne, Bachelor of Arts

 

highlights

Soft Speech | McClelland Design Store x Craft Contemporary 2023

A kind of liveliness | Solo exhibition, G3 Artspace, 2023

Tiny Wonders | Solo exhibition, Bundoora Homestead Art Centre, 2022

UNPREDICT: Imagining Future Ecologies | Ian Potter Museum of Art 2022

Alternative Provisions | Craft Victoria x Melbourne Design Week 2022

Gentle Kin | Sculptural edition, McClelland Sculpture Park+Gallery 2021

Fiona Myer Award | Recipient 2021

Victorian Craft Awards | Finalist, Craft Victoria 2021

McClelland Awards Exhibition, Senini Ceramic Award | Finalist 2021

SOIL, SURFACE, AIR | Curated Exhibition & Art Book, CLUSTER London, 2020-2021

McClelland National Small Sculpture Awards | Finalist 2020

North Queensland Ceramic Art Award | Finalist 2021

Klytie Patie Ceramic Awards | Finalist 2021

Wyndham Contemporary Art Prize | Finalist 2020

European Ceramic Workcentre | Artist Residency + Exhibition 2019 - 2020

Fertile Ground | Kingston Arts Centre, 2019

Ian Potter Cultural Trust | Grantee 2019

Manningham Ceramic Art Award | Finalist 2019

Porous Vessels | Installation, Campbell Arcade x Craft Victoria, 2019

DEAR MUD, WITH LOVE | Australian Ceramics Triennial 2019

Clayworks’ Award for Excellence in Ceramics | Recipient 2018

de·gust | Solo exhibition, First Site Gallery 2018

Rhode Island School of Design, USA | International study 2017

 
Through support for talented emerging artists, the Trust’s grants reward commitment and passion, and support promising Australian artists to develop their skills and achieve their potential.
— Ian Potter Culture Trust
 
 

Image: Annika Kafcaloudis, Courtesy Craft Victoria